Jeepers Creepers: Reborn

Day 20: Louisiana State Of Mind

It’s October, yet again! Watching the last rays of September sun soaring through the trees in rural Louisiana can be a beautiful sight and while I’m not expecting the colour burst we would have this season in Finland, the fall is coming here as well. The days are still hot, 25-30 degrees of Celsius, but by nightfall, the temperature drops – still nice to sit outside on my patio, but long-sleeved shirt would be nice.

I arrived to Louisiana after my imagined ocean crossing, which took 14 days – that’s the quarantine time in Dubai – finally landing here few days ago. So far, I’ve taken the time to settle down, get my bearings, get some groceries and drive around the area quite a lot in cars, searching for food, shooting locations and so forth.

My first impression about Louisiana is: flat, green and picturesque. Located on the river banks of Mississippi – “Missy”, as they call her locally – the area is known for destructive hurricane season and floods, but it’s also a very beautiful area, with its’ rustic, slightly overgrown charm.

I’ve yet to get really introduced to Louisiana cuisine, but we did have some amazing gumbo and seafood, but there’s a lot to dig into.

The studio is located near the tiny town of Jackson, inhabitants maximum 2000 I guess, really just one main road and few businesses on each side. The studio lot consists of a ten on something old-style cabins with two to four rooms in each, centered around an old, antebellum-style plantation house. This used to be a plantation, with slaves and all that, quite dark history indeed, but now serves as a bunch of decent-sized studio buildings, and a bar that’s open for public, too (but not during Covid-19).

The whole village is very pretty, buildings doubling also as a backlot for any small US village from the days of old, buildings still boasting signage from films shot in here.

Our plan is to shoot a handful of shooting days in the area but not to use the studios – those we will do in the UK. We will need a lot of US driving shots in appropriate scenery and a lot of exterior sequences which we’ll nail here, before moving indoors back in UK.

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