Going Places

Gone To Place, Came Back!


I’ve now been back in Finland for a little over 2 weeks since returning from the last leg of shooting in UK. The latest stretch, which took 1 months of prepping and 8 days of shooting, concluded the shoot for the film I’ve been working on for the last about 1 years, and now remaining is edit, sound, music and, well, release.

Moonlight.

Only now, I’ve started to be able to actually gather my thoughts on the last 6 months I’ve been away. The journey begun with me flying to UK for a day of meetings, then off to Dubai. In Dubai, I spent time writing and working on the script, with producer Jake popping over for about a week. Then, it was time to fly to Louisiana, where we started prepping for the first part of the shoot. It took about 1,5 months of slow-cooking preparations in the sweltering heat of Louisiana to get the first three shooting days done, after which it was time to fly to UK.

Dark Woods

In UK, we started prepping with a completely new crew to the main stretch of the shoot. Original plan was to shoot everything in one go and get home by Christmas, but this turned out to be impossible as Covid ate two of our shooting days and after that, we had to break for Christmas. I missed my chances to hit home for Christmas thanks to Covid instant lockup all across the world due to new UK strain of the virus, but found a way via France and Amsterdam eventually home for few days, before heading back in early January.

Director, cold and in the dark.

In Louisiana, we stayed at the studio lot where I had my own apartment. In UK during the first stretch of the shoot, we “all” – that means, most of the HODs – stayed at Froyle Park mansion, which suited well for us to enjoy fun times when not shooting. Coming back to UK after Christmas, I first stayed at the local Alton hotel Alton House, but found it being extremely drab, and was later relocated to a much nicer Northbrook, a Froyle-style mansion but with separate cottages that have their own kitchens and washing machine options etc. We stayed there with two folk from our makeup team with, and must say I enjoyed the peace there as well, as it was a bit away from all the noise and fuzz.

Night Shooting.

Anyway, the film is now in the can! That’s quite amazing. That’s my 5th feature film that’s done and done, and one I’m particularly proud of, not just because it’s something I’ve never done before – not a scifi film – and i’m happy of the outcome. Of course, it still has quite a bit of VFX to be done, which goes without saying, but it’s way less than any of the films I’ve done before, so it relies much more on what we actually shot and how we cut it together. It’s also much more reliant on atmosphere, which needs to be spot on to capture the special nature of the story.

And yeah, I’m excited getting to show the film to you all. So stay tuned!

Gray morning over at Black Hangar Studios

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